| "All of us are empty houses, waiting anxiously for
somebody to unlock and liberate us... - Kim Ki-duk
Kim Ki-duk's highly original perspective on ordinary
life, so evocatively evident in his recent art house
hit SPRING, SUMMER, FALL, WINTER...AND SPRING B is
carried to yet another extreme in his eleventh film. 3-IRON is
a story of freedom found within the dull, domestic
prisons erected by power, money and social convention
and of a love that dispels the horrors of emotional
emptiness. Homeless Tae-suk (Jae Hee) lives like a
phantom; his daily routine involves squatting in houses
and apartments he knows to be temporarily vacant. He
never steals from nor damages his unknowing hosts'
homes; rather, he is like a kind of friendly ghost,
sleeping in other people's beds, eating a little food
out of strangers' refrigerators and repaying their
unintended hospitality by doing the laundry or making
small repairs.
In one of these homes he meets Sun-hwa
(Lee Seung-yun), a former model who has been reduced
to a withered shadow of her former self by an abusive
husband who keeps her imprisoned in an affluent, pretentiously
decorated house.
Destined to cross paths, Tae-suk and
Sun-hwa's experiences are confined to a comfortably
eerie silence and anonymity, and their increasingly
invisible existences leave no trace on the world around
them. Bound by unseen ties and unwilling to separate,
they are quietly drawn into their bizarre new destiny.
Presenting the film as a symphony of carefully orchestrated
movements, Kim composes a new reality that explores
yet another variation B one of great strength and creativity
B on the theme of love. A film full of powerful silences,
neither Tae-suk nor Sun-hwa utters a word until
the closing sequence. 3-IRON is
a beautifully constructed testament to the quiet force
of images and elegant, detailed compositions. A stunning
and totally surprising film.
"It's a film that will stay with you."
Philip Kennicott
, Washington Post
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