Vernon Film SocietyTHE WAY

Monday, DECEMBER 12

Director: Emilio Estevez
Cast: Martin Sheen, Deborah Kara Unger, James Nesbitt, Yorick van Wageningen, Emilio Estevez
Run Time: 121 minutes
Country: USA
Year: 2011
Language: English
Rating: PG (Drug use)

Check out a special resentaion before The Way - The Camino Documentary
4:00pm and 6:00pm at The Centre for Spiritual Living, 2913 29th Avenue

"The Way" is a powerful and inspirational story about family, friends, and the challenges we face while navigating this ever-changing and complicated world. Martin Sheen plays Tom, an American doctor who comes to St. Jean Pied de Port, France to collect the remains of his adult son (played by Emilio Estevez), killed in the Pyrenees in a storm while walking the Camino de Santiago, also known as The Way of Saint James. Rather than return home, Tom decides to embark on the historical pilgrimage to honor his son's desire to finish the journey. What Tom doesn't plan on is the profound impact the journey will have on him and his "California Bubble Life.”

Inexperienced as a trekker, Tom soon discovers that he will not be alone on this journey. On "The Way," Tom meets other pilgrims from around the world, each with their own issues and looking for greater meaning in their lives: a Dutchman (Yorick van Wageningen), a Canadian (Deborah Kara Unger) and an Irish writer (James Nesbitt), who is suffering from a bout of writer's block.

From the unexpected and, oftentimes, amusing experiences along "The Way," this unlikely quartet of misfits creates an everlasting bond and Tom begins to learn what it means to be a citizen of the world again. Through Tom's unresolved relationship with his son, he discovers the difference between "the life we live and the life we choose."

THE WAY, written and directed by Emilio Estevez, was filmed entirely in Spain and France along the actual Camino de Santiago.

“Estevez keeps his touch light, with a minimum of pedantry. The Way is really a gift from this son to his father. Sheen, gradually revealing a man painfully getting reacquainted with long buried feelings, gives the film its bruised heart.” - Peter Travers, Rolling Stone

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