| In a place that defied
belief their only hope was each other
THE
MAGDALENE SISTERS, which played to positive acclaim
at the Toronto International Film Festival and also
won the top prize at the Venice International Film Festival,
is a scathing indictment of religious fundamentalism
and a compelling, harrowing tale of the triumph of the
human spirit against darkly oppressive forces.
An angry, bitter film that has electrified
audiences with its dramatic intensity, it has also angered
the Catholic Church, which has condemned it.
Up until 1996, profit-making laundries
throughout Ireland operated by the Sisters of the Magdalene
Order used young women as slave labour. An estimated
30,000 girls went through this system, sent to Magdalene
Asylums for their so-called sexual improprieties.
The film follows the stories of three
young women who arrive at the convent on the same day.
Margaret (Anne-Made Duff) is raped by a cousin during
a wedding celebration and then sent to the convent when
she herself is blamed for the incident. After giving
birth to an illegitimate son, Rose (Dorothy Duffy) is
conned by a manipulative priest into giving up the boy
for adoption, while her parents, who refuse even to
look at their grandchild, pack her off to the convent.
Bernadette (Nora-Jane Noone), a strong-minded
orphan whose good looks attract too much attention from
young boys, is branded a temptress and sent to the nuns
so as not to corrupt any souls.
Mullan, whose screenplay is based on a
Channel 4 documentary about the unfortunate girls who
were incarcerated, zeros in with grim power and undeniable
intelligence on the sexual repression and religious
intolerance of the Order, and in the process has crafted
one of the most powerful and unforgettable fihns of
the year.
”See The Magdalene Sisters
for its own sake; the performances alone are inspirational.
But see it too as an example of how powerful a feature
film still can be in the hands of an impassioned filmmaker.”
- Joe Morgenstern / Wall Street Journal
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