DIRTY PRETTY THINGS

Country: UK
Director: Stephen Frears
Lead Actors: Audrey Tautou, Chiwetel, Sergi Lopez, Sophie Okonedo
Running time: 107 min.
Rating: 14A (Sexual coercion, coarse language)

"Once again, Frears -- who has enjoyed a glorious run of diverse, good-quality movies, from "My Beautiful Laundrette" to "High Fidelity" -- has crafted a unique gem." - Washington Post

Some things are too dangerous to keep secret.

Stephen Frears, the director of such classics as THE GRIFTERS and DANGEROUS LIASONS, returns with this provocative and gripping film, a part of the Masters Programme at the 2002 Toronto International Film Festival. Working in a gritty and unadorned style, Frears (who won the award for Best Director at Venice Film Festival for the film) explores contemporary London society entirely through the eyes of a “non-WASP” subculture peopled by Turks, Chinese, Nigerians, Spaniards—all of whom are working in service jobs on the margins of English society. Chiwetel Ejiofor (AMISTAD)and Audrey Tautou (AMELIE) play illegal immigrants Okwe and Senay, who live in an unstable netherworld of stalking immigration officials and under-the-table low paying jobs. Okwe is a Nigerian who works two jobs: by day he drives a taxi, at night he is a hotel porter. A kind and sensitive man, he has a mysterious past. When a persistent immigration officer begins to track him, he is forced to quickly relocate and ends up living on a couch in the dingy apartment of Senay, a shy and beautiful hotel chambermaid. One night at the hotel, he unwittingly stumbles across a bizarre event that leads him to suspect that human organs are being traded by people desperate for money and passports. With no way to report this shocking discovery without revealing their illegal status, they find themselves drawn into a terrifying underworld. Combining Frears’ deeply rooted rooted compassion for the downtrodden with an almost Hitchcockian style of horror and suspense, DIRTY PRETTY THINGS captures as a revealing social document and grips as a shocking tale of spiraling intrigue.

"It's an exciting but brainy, cross-cultural thriller about modern London and life in a contemporary urban pressure cooker, and it depends more on plot, character and atmosphere than it does on chases and gunfire." - Chicago Tribune

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